Weeknotes: July 20–24, 2026
Monday, July 20
Five years ago today, I moved to Ypsilanti, Michigan. I had already spent a couple days trying to get my apartment set up, but July 20 was the night I made it official. After a long day, I drove over to my friend Ashley's birthday party out near Ford Lake, knowing afterward I could just go home and crash in a place that was all my own. I've made so many friends here — these have been some of the happiest years of my adult life.
At seven o' clock, I walk up to Wax Bar and meet J & J for a celebratory cocktail. The Alan Parsons Project is playing on the radio — there are maybe seven or eight other patrons. I sip my mezcal negroni and gaze out across the alley, watching a woman stop and smile in front of the pet store. The shop cat must be lounging in the front window.
Walking back from the bar, I meet on our well-traveled street the family of my neighbor Matt, who announces as we pass "this is my family!" I reply just as vaguely, "Hello, I'm the neighbor, two or three houses down." Poking out of my mailbox is a signed copy of Robyn Hitchcock's second memoir, Stranded in the Future.
Weeknotes: July 13–17, 2026
Monday, July 13
Another heat wave arrives, as if reporting for its week-long residency. I write the forecast in my notebook, just to see the temperatures all neatly lined up in my own handwriting. Around two o'clock, I relent, button up the house, and turn on the air-conditioning. In icy privilege, I sit on my bed and work, back propped against a pillow.
Later, at the brewpub, I get to know a couple I met earlier in the summer who are relatively new to Michigan. Both are fascinating — erudite and well-traveled, with a bundle of interests that bisect my own. They tell me about living in Antarctica and cycling across the U.S. We discuss running, writing, and Howard Frank Mosher. I note with satisfaction both are notebook carriers, and as we trade book recommendations, my Japanese brass pen gets passed back and forth across the table.
Weeknotes: July 6–10, 2026
Monday, July 6
The downtown library is crowded with other refugees charging devices and working on laptops. I am one of nearly 350,000 DTE Energy customers who lost power during Friday night's storm. At the time, I was 200 miles away in Benzie County, setting up for a gig after two nights of camping on the Leelanau Peninsula. The weather up there was lovely.
Today, the downed power line at the end of my block is still sparking and smoking on the curb, cordoned off by yellow emergency tape, but otherwise unbothered since its explosion almost three days ago. It's like a less-endearing Neil the Seal: troublesome, potentially lethal, but exciting to watch.
Last night, Nick and I drank scotch on a dark porch a few houses down, chatting with neighbors who claim to have heard that DTE were recruiting French-Canadian electrical workers from across the border. Makes sense that they’d seek reinforcement, but the French-Canadian part seems dubious — were none available from Ontario? My mind forms an image of a lively Québécois lumber camp popping up on our street, mingling aromas of woodsmoke and maple syrup as flannelled men scurry up the poles, shouting instructions in French.
It’s late afternoon and I'm dozing on the bed, unaware my electricity has just been restored. Nick sends a text from next door: They did it!!! Ooohhhh, Cannnnnn-ada! I don't know who is actually responsible, but I'm happy to give our Northern neighbors credit.
Weeknotes: June 22–26, 2026
Monday, June 22 – Friday, June 26
Last Saturday, after not very much deliberation, I bought yet another tent, a nice one with enough room for my cot. At Ossineke State Forest, just above the 45th parallel, I fall asleep to the music of wind and surf, practically alone at this remote, rustic campground.
Weeknotes: June 15–18, 2026
Monday, June 15
I help my parents shore up some wobbly fence posts in their garden and return home with a broken bird bath and six large moss-covered flagstones for my own garden. It's like shopping at a second hand Lowe's where everything is heavily used, free, and pre-loaded with sentiment. In the evening, I order a collapsible army cot. I've held out for a long time, sleeping on a thin air mattress, but it's time to make car camping more comfortable.
Weeknotes: June 8–13, 2026
I waited too long to start my run. It's 5:30, and the air is stifling as I head up Forest toward campus. On Lowell, a green Subaru beeps acknowledgment. It's Annie. Her birthday was yesterday. A mile later on Hamilton, two musicians, tenor sax and drums, play hard bop through an open window. East down Spring, and over the bridge past Huron Landing, I detour to avoid a family of geese on the sidewalk, their five goslings still in fuzzy adolescence.
The peppy chiptune announcement of an ice cream truck looms behind me. As the driver pulls abreast, he leans out his window and hollers "Whassuuuup!" I'm tempted to flag him down — maybe I could stick my head in his freezer. When I catch up with him at the intersection of Prospect and Cross, his speaker begins playing Beethoven's “Für Elise.”
Home is a relief. I sit at my table with a towel around my neck eating cold watermelon. Out the kitchen window, my 12-year-old neighbor feeds bread crusts to a mallard who has wandered into our driveway.
Weeknotes: June 1–6, 2026
Monday, June 1
Light rain falls on the crew resurfacing South Elm Street. Greg and I watch the procession of heavy machinery from the front window of the Oaks Eatery. Black coffee, Nueske's bacon, roast potatoes, two eggs over medium, and a pancake. I think the single pancake, as a toast alternative, adds a measure of pizzazz to the day ahead.
Last night we returned to Three Oaks to retrieve my favorite yellow scarf, accidentally left behind after the Jonathan Richman show in February. For three months, I mailed postcards addressed to My Yellow Scarf c/o the Tom Cat Tavern, offering reassurance and reminding it to behave: We'll talk about your drinking when you get back.
"Can we keep the postcards?" asked the bartender, handing me a paper bag labeled "Tim's Scarf ♡." I certainly don’t need them. We stayed for a couple pints, and I thanked them for putting up with my shenanigans. I considered intentionally leaving behind another article, but through better of it. In the evening we drove to Sawyer to hear Marisa Anderson play songs from her new album at Out There, a wine bar and concert venue built in a converted Shell service station.
Weeknotes: May 25–29, 2026
Monday, May 25
It's Memorial Day, the symbolic launch of American summertime. The weekend's cool rain is replaced by abundant sunshine. I take apart, then reassemble the contents of my shed, listening to the Grateful Dead and drinking strong coffee. It takes about three hours, but is so satisfying to have done.
Next, I butcher my first watermelon of the year and pack its red cubes into a Tupperware container for my neighbors' cookout. The house on the opposite side is also having a party, which spills onto my lawn. Everyone looks so happy, the neighborhood exhales vibrancy.
Across the street, a converted shuttle bus with two bikes strapped to its rear is parked. Its passenger entrance is wooden house door with a large 15-pane window, brass doorknob, and dead bolt. A band van or nomadic workers? I sit on a lawn chair in my neighbors' backyard, drinking beer and chatting with friends. Around, and sometimes between us, kids play football. At about eight o'clock I make my exit, citing a drained social battery.
Weeknotes: May 18–22, 2026
My attention has been focused elsewhere this week, and what writing I’ve done feels lackluster. I'm not going to force it. Please enjoy this Weeknotes anthology of bullet points, lists, and images.
Weeknotes: May 11–15, 2026
Monday, May 11
I lie down on the grass next to Islay, whose dark fur stores the sun's heat like a solar mat. Not for the first time, I try to memorize the feel of my dog's body, the shape of her head, her floppy ears, and gray muzzle. I hope I can give her a fun summer.
At the studio in Ann Arbor, Geoff and I mix tracks for my upcoming EP. One of them, a percussive instrumental synth piece, is giving me trouble. It needs one extra element, maybe not even an actual part, but some kind of sonic layer. Earlier in the day I tried some random tones from the little Casio CT-1, then a few hoots from a clay ocarina. I'm grasping. A field recording of the local university alert system comes closest. Its repeating chimed notes match the song's key, but the recording is too clean. It needs to be scuffed up somehow.
Weeknotes: May 4–8, 2026
Monday, May 4
Winter semester ends after my morning class. No homework for almost four months, a joy I never thought I'd relive at 49. I plant the morning glory seedlings along the back fence, then sit barefoot on the grass drinking a beer and reading Gavin Francis' Island Dreams.
All evening I play the bongos. I'm trying to match the random changes of an arpeggiated synth part I recorded nine years ago. I map it all out, edit together a take I like, then overdub three more on top of it. A storm cell passes and the lights flicker. Today I achieved all of the Four Rs: Run, Write, Read, Record. A banner day.
Weeknotes: April 27–May 2, 2026
Monday, April 27
The New Pornographers are playing El Club in Detroit. I last saw them in 2014 on the Brill Bruisers tour and I'm surprised how much better they sound tonight in a smaller venue with a retooled lineup. Dan Bejar is no longer with them, so I don't expect to hear any of his songs. As usual, the excellent Kathryn Calder handles Neko Case's parts on stage, along with all her own vocal contributions and the lion's share of the keyboard parts. Joining her is newcomer Jess Nolan who sings lead on a couple songs, plays additional keys, and melodica. The other new touring member is drummer Joshua Wells from Destroyer and Black Mountain.
I was a big fan of original drummer Kurt Dahle and missed the entire Joe Seiders era — probably for the best, given his disgraced exit. The New Pornographers are a rhythmic powerhouse with technically challenging parts, not just for the drums, but vocally and instrumentally. Wells is a perfect fit — a hard-hitter with a deep rock vocabulary and infectious energy that propels the whole band. Nolan, for her part, steals the show a couple times and compliments Calder's voice well. Carl Newman's songwriting is the backbone. Packed in a sweaty room a few feet from the stage, I feel the old magic as they rip through "Use It," "The Laws Have Changed," and "The Bleeding Heart Show."