Weeknotes: October 20–23, 2025
Monday, October 20
Through trial and error, I think I've traced the signal hum to my outboard preamp, a Golden Age Pre-73 MKII. It was recommended to me by Fred Thomas and was integral to my last two albums. Maybe it just needs a new power supply — that would be the best case scenario. More impactful is the loss of my primary condenser mic, an old Studio Projects C1 I bought in 2006 and use for almost everything I make. Like all my gear, it's a budget piece, but it has survived nearly 20 years of abuse and performed beyond all expectations. I'll likely get both items repaired, but I can't afford it right now.
So, with my two workhorses out of commission, I'm left with what I've got. I think of the old adage "the best tool is the one in front of you." I have a handful of other mics, but nothing that really fills the role that the C1 does. I could borrow a decent condenser mic from a friend, but a part of me welcomes the limitations of making do with what's on hand. That’s where creativity starts.
During rush hour, I'm running down a hill toward a busy intersection. There's a car in the northbound lane facing me with its hazard lights on and another in the southbound left turn lane, also stopped. Several people are crouched in the middle of the road picking up some type of debris while evening traffic diverts around them. I assume it's broken glass from a collision, but as I approach, I see the road is scattered with what looks like an entire box of nails. Bending to help, I ask one of the good Samaritans how they got there.
"No idea. I wondered if it was a sabotage campaign from a local tire company," she jokes.
Some of the nail heads have already been driven into the soft asphalt and I have to pry them out with my fingernails. But, just think of all the punctures we're preventing.
Weeknotes: September 22–26, 2025
Monday, September 22
I'm listening to the Tannahhill Weavers, a Scottish folk band who include a glossary of pronunciations and Scottish words on their lyrics sheets.
Some are logical:
Dinnae = don't know
Gane = gone
Tae - to
Twa = two
Wasnae = was not
Some less so:
Ken = know
Maun = may
Muckle = big
Trews = tartan trousers
Yin = one
I've loved this band since I first heard them on a Rykodisc compilation sometime around 1990. They were my gateway to Celtic music.
Out my office window the ground's quiet applause welcomes rain for the first time in a month. Later, at the pet store, the ceiling has sprung a leak and two dog pools have been pulled off a nearby shelf to catch it. On the equinox the world is liquid again.
Weeknotes: September 1–5, 2025
Monday, September 1
Labor Day lines up with the first of the month in satisfying synchronicity. I'm off work and just back from my trip to Marquette, so really it feels like the eighth day of the previous week. I started school last Monday — two classes, one of them entirely online — and ran my marathon on Saturday. Here's what I learned: don't underestimate yourself.
All summer long I struggled to gain momentum. My training felt sluggish and ineffective, and I wasn't even sure why I was still doing it. I spent the past month tempering my expectations, convincing myself I was grossly undertrained. I slept poorly the week of the race. The drive north, which I usually love, felt like an upstream slog against holiday weekend traffic. I arrived in Marquette later than I wanted to and had generally written off my chances of finishing in under four hours.
The sun rose through the mist in Turner-esque drama. I shivered in the dawn chill at the starting line, trying to summon my usual race day excitement, wondering how I’d find the motivation needed to carry myself the distance. Four miles into the race I was still searching for motivation, yet somehow maintaining a brisk 7:40 pace. I’d started out in the front third of the field, assuming I’d fall back pretty quickly. I did, but not by much. By mile nine I’d settled into a groove and came to a surprising realization — I had grit. A whole wellspring of it earned from 11 previous marathons and 16 years of running.
Having a clear motivating factor is helpful, but sometimes you just have to rely on your guts and put one foot in front of the other.
I hit the wall early around mile 17, and had to lean pretty hard on that grit to get me through the last nine miles, most of them along sunny, placid Lake Superior. At mile 26, the finishing chute appeared before me with the great bulk of the Yooperdome just behind it. I found my kick and sprinted the last 200 meters with a smile on my face, passing another runner a few feet ahead of the finish line just for the hell of it. It was one of the best races I've ever run and I was only a few minutes off my PR. I had completely counted myself out before I even started. In hindsight, how could I not know I had this in me? Sometimes you just have to go through it to come to a simple truth. It felt like a turning point in what has been a rather desultory year.
Back in Ypsilanti my legs still ache, but my head feels better. My attitude has improved and I can feel some creative momentum building. If I can make a comeback like I did in Marquette, I wonder what else I can do?
Weeknotes: August 11–15, 2025
Monday, August 11
I didn't expect to grieve so heavily for Briggs. I hadn't lived with him for four years when he died, but his passing stirred up a emotions I didn't realize I'd been harboring. My brother says "cats are different, they span multiple eras." He's right. Briggs was the last connection to several different parts of my life.
This morning I'm a little more myself. I listen to Robert Shaw Chorale's ridiculous, but transcendent Sea Shanties album, then Jules Shear's debut. Next up is Joan Shelley's beautiful self-titled album from 2017. I get halfway through the first song then remove it from the platter. Too sad.
The past couple of nights I've found unexpected comfort watching social media clips of the Oasis reunion tour. They were never a band I cared about. I wasn't into the songs and the constant in-fighting and drama always put me off. Now, I’m drawn to the sense of bonhomie surrounding this tour. Massive stadiums drunk on lager and nostalgia, shouting out every word, the Gallaghers seemingly getting on well. I open my Instagram feed to videos of Liam balancing a tambourine atop his bucket hat and Noel in a button-up polo shirt looking like a weekend dad-rocker. I’m oddly moved by all of it. Are Oasis our saviors?
Weeknotes: August 4–7, 2025
Monday, August 4
I dreamed I was in a sitcom. There was a daffy character who liked to get her hair cut at cheap department stores and carried around a little green book that was assumed to be some kind of positive affirmational text. Just before I woke up, another character went to spy on her while she sat in the department store salon. The big reveal was that the little green book was actually a gambling how-to titled Let It Bet — she had a severe gambling addiction. End of scene.
I drop off my car at the mechanic's for another pricey repair then catch a ride home from Donald. On the way back to Ypsi we stop at DJ's Bakery on Packard where I get a rainbow sprinkle doughnut to offset my automotive woes. Later, I bum a ride off my brother to go pick it back up. We listen to the Ghettobillies, an Ann Arbor band we played shows with in the last century. Our two bands had little in common except that we were both misfits with no obvious music scene partners — this and a shared sense of humor resulted in an oddball pairing and camaraderie that lasted several years.
About a half mile from the mechanic we come across a road block that wasn't there this morning. I release Jamie from his brotherly obligation and walk the rest of the way. In front of the violin shop where I worked for 15 years a fire hydrant is gushing a jet of water into the storm drain and the driveway is being dug up — there seems to be a broken water main. I have a long history of walking up and down this road which is also home to the studio where I have made every one of my albums. It's mostly industrial (S. Industrial Hwy.), but I have great affection for this part of town and particularly this road. It still feels like home.
Weeknotes: July 14–18, 2025
Monday, July 14
The aggressive plant growing up the side of my house is a trumpet vine. I didn't plant it, but I've watched it multiply over the past few years until it finally produced a series of red trumpet-like blossoms. I didn't know what it was until I saw those same flowers in the community garden at Frog Island Park and finally looked it up. At least it’s native.
Through the haze of Canadian wildfire smoke I walk up to a brewpub to read my Icelandic detective novel in which the characters are suffering similarly smoky skies from a volcanic eruption. Up the gravel track through Frog Island, a man is stretching his legs on the soccer pitch and blasting Latin music from a boombox. At the other end a group of kids are sitting cross-legged on the concrete amphitheatre stage. Apart from the smog, it's a perfectly lazy summer night in Ypsilanti. I think about how happy I've been living in this town over the past four years.
Inside the brewery a man is speaking to a packed house. A keyboardist sits behind him. I order a beer and ask the bartender what's up. "It's opera night. We're actually closed for a private event, but I'll serve you." The man begins singing and I escape out the side door to sit in the little beer garden overlooking a very subdued Depot Town. Two tables away a woman is quietly crocheting some type of garment. Otherwise, the place is deserted. I read my book and people-watch. A train passes. A mezzo soprano threatens the glass window. There’s a round of applause. It’s a soothing blend of sounds.
Walking home along the ridge I notice how low the river is. Out in the thigh-deep channel a fly fisherman casts his line. To my right, down in the park, two dogs run full tilt across the fresh cut grass.
Weeknotes: July 7–11, 2025
Monday, July 7
I dreamed my air conditioner had created ice deposits all around the house. The basement staircase was encased in a narrowing chute of ice like the walls of an old freezer. There was frost on my furniture, the ceiling, and clinging in the corners like hornet's nests.
I wake in a panic in my dry room. My first action of the day is to open all the windows and let the cool morning air circulate through my world.
I broke down and bought those new running shoes, but that was yesterday. Today, I'm shopping for some new kayak gear. My deck rigging has lost its elasticity and needs replacing. I also don't have a dock line, which would have been helpful over the weekend when I was hanging on to a half-submerged log to avoid drifting out from the lee of an old oak tree on Appleton Lake. I add a heavy duty dry bag to my order as if I'm going on a real adventure instead of paddling local segments of the Huron on weeknights.
Weeknotes: June 30 – July 4, 2025
Monday, June 30
The door whispers closed and I am entombed in a lobby of implied wealth. Its forest green rug, dark wood paneling, and brass fixtures signal the superiority of this bank branch over the others I usually visit. Through a second door I emerge to the faint strains of "Space Oddity." The immaculate teller compliments my fragrance and I stand a couple inches taller. I'm just a guy in a baseball cap and concert t-shirt depositing my weekend gig money, but a little theater goes a long way. I carry this confidence into subsequent transactions with the clerk at World Market and the young mechanic who runs the engine code on my 13 year old Hyundai.
Weeknotes: June 23–27, 2025
Monday, June 23
It's a Field Notes field trip. Those who know me know of my love for this brand and their wondrous little notebooks which I carry with me everywhere I go. For years I've wanted to make a pilgrimage to their Chicago headquarters and today is my day. They are having an open house ahead of their “first, and likely only” film festival tonight at the Music Box Theatre and I've convinced Greg to join me on this road trip which kicked off yesterday at Wrigley Field. The Cubs lost in a 6-14 home run derby against Seattle. The heat was brutal, but it was a bucket list venue for both of us, as was the Sunday night jazz show at the Green Mill.
I open the Futura-branded black metal door at 401 Racine and am immediately greeted by owner Jim Coudal. I think I expected a brisker turnout of fellow Field Nuts, but am pleasantly surprised by the casual scene. After browsing some rarity editions, we hang out with Field Notes creator Aaron Draplin, a fellow Michigander now based in Portland, Oregon. I met him once before back in February when he did a demo at the Ann Arbor District Library. It turned out he was a Great Lakes Myth Society fan, so Greg and I present him with one of our dwindling vinyl copies of Compass Rose Bouquet. His mom, who lives not far from my own parents, is also there and we chat with her about politics and our favorite Northern Michigan spots. I also meet Bryan Bedell, a fellow music head and founder of the Vespa Club of Chicago, who is also one of Field Notes' designers. It's all so warm and convivial and I leave with an even greater affection for the company.
At the film festival later that night, they screen 31 of the short films they've made to launch their quarterly special editions. The room is lively and I feel at home among these like minded enthusiasts of esoterica. Aaron and Jim introduce the first set of films, many of which I've already seen as part of their newsletter announcements over the years. During intermission Bryan and filmmaker Steve Delahoyde crack jokes, then invite the 400+ attendees to join them at a nearby bar afterward. Having graciously enjoyed some facetime with them earlier, we decline and have a low-key nightcap at the Gman Tavern a few blocks east.
Weeknotes: June 16–20, 2025
Monday, June 16
"Those metal things you smash with a hammer to secure a loop of metal cable?"
"Ah, I know what you're talking about. Ferrules?"
"Yes! Pity the ferrule."
I'm at Ypsi Hardware where they translate pedestrian into practical. I leave with two small ferrules, costing $3.10. It's the summer of thrift. I want to spiff up the yard, but I'm trying to rely on stuff that's free, cheap, or already in my possession. Last Saturday was the College Heights neighborhood yard sale, the sequel to Normal Park's where I procured the two metal fish now swaying in my garden. Held back-to-back on the first two Saturdays of June, College Heights is usually as lively as its predecessor, though it seemed to me a little diminished this year.
On the ride there I found a $20 bill on campus and took it as a good omen. I spent $2 on a lemon muffin from a platter of homemade pastries on Roosevelt Street. Next, I bought a bird feeder I didn't need for $5, and immediately regretted it. I cruised down beautiful Cambridge Street, one of my favorite little neighborhoods in town, then west to Collegewood where, leaning against a tree with a "free" sign attached, was the hammer rail of a small upright piano. Jackpot.
Unlike last week's fish, this prize could not be transported under one arm or strapped to my bike rack. I hammered out several fevered messages to nearby friends with cars and Greg was my first responder.
Tonight's goal is to mount the piano hammers along the back fence behind my fish. With a pair of old tin snips I slowly maul the end of some steel cable that was once a zipline leash system I'd bought for Islay. She hated it and after only a year it was mercifully knocked down by a large branch during an ice storm. I stuff the frayed ends of cable through my two ferrules and smash them closed, creating a wire mount on the back of the hammer casing. With these three whimsical items — the two fish and the piano guts — I now have the beginnings of a sculpture garden.
Data Loop
In January, Denise suggested that, since I am such a collector/connoisseur of personal data, I should make a data visualization project for one of my graphics courses. When I admitted I didn’t know what this was, she introduced me to a fascinating world of creative people representing data sets in the most unique ways. I was particularly bowled over by Nicholas Felton’s Feltron Reports and Giorgia Lupi and Stefanie Posavec’s irrisistably charming Dear Data project.
Weeknotes: May 19–24, 2025
Monday, May 19
I reach for the clutch, but it's not there. I'm back in my automatic Hyundai. I had just gotten used to driving a manual transmission again and forgot how much I enjoyed it. I've scheduled a buffer day to recover from my vacation. I'll log in to work tomorrow, but today is for catching up on personal affairs.
I feel the rejuvenation that good travel brings. I'm happier with a more optimistic outlook and a heightened creative fervor I haven't felt all year. I hope I can make it last. When I got home yesterday afternoon my neighbor had mowed my lawn. If you are lucky enough to live next to good people, your life will be infinitely easier. My morning glory seedlings survived, but I missed the rest of the purple irises and most of the lilies of the valley. The giant pink irises are in full bloom, though, and the peonies are getting close.
I drive my brother and his girlfriend to the airport, returning the favor he did for me last week. They're off to Maine for a week of birds, lighthouses, and coastal wandering.
Weeknotes: May 5 – 9, 2025
Monday, May 5
I'm spending another morning with Pink Floyd, this time working on a review for the Live at Pompeii soundtrack that came out last Friday. I re-familiarize myself with some biographical material and stumble upon their early single "Point Me at the Sky." I'd completely forgotten about this song, a fantastic bit of late-'60s psych-pop with shared vocals between David Gilmour and Roger Waters. I loved it when I was young, though it was a rarity that could only be found on bootlegs. I credit Wazoo Records in Ann Arbor with introducing me to the bootleg scene. They had a special cassette section where, if you knew what you were looking for, you could find strange compilations of unreleased live material, non-album tracks, and other oddities from a multitude of artists.
I still have a David Bowie compilation with a photocopied cover that includes a version of him singing "All the Young Dudes," the song he wrote for Mott the Hoople which, incidentally, was the first song I ever learned how to sing and play on guitar. I'd been playing for a couple years by that point, but didn't yet fashion myself a singer. I was about 12 when my guitar teacher, Mike Lutz, taught me how to play "All the Young Dudes," and it was the most complex chord sequence I'd learned to date. I remember feeling a great sense of satisfaction once I'd managed to separate my unformed voice from my strumming which felt like a creative version of patting your head while rubbing your belly. Before that, I assumed I'd be the guitarist in a band with someone else acting as lead singer, as was the custom in most of the hair metal bands I listened to at the time. Being able to handle both was a revelation to me. I can see now that I've followed that path ever since. I love collaboration, but if I can find a way to take care of something on my own, that's how I will probably do it.
Later on, I take my guitar to the luthier for what I've now accepted to be its regular seasonal adjustment. I've had this Martin 000-15M for two years now and its mahogany body is so much more sensitive to humidity and weather shifts than my old birdseye maple Shenandoah. I played that guitar hard for 30 years and, apart from replacing the bridge about ten years in, barely ever had it worked on. It's as sturdy as they come. The new 000-15M fluctuates all over the place, though when the action is right, it's a joy to play and hear. I hope it settles into itself at some point, just like I did.
Weeknotes: April 28 – May 2, 2025
Monday, April 28
Taking a break from my A-Z listening, I put on Pink Floyd's Dark Side of the Moon, an album so famous I sometimes forget to listen to it. Growing up, Floyd was hands-down my favorite band. My early fandom coincided with their Roger Waters-less revival, and in 1988 my parents took me to see them play at the Palace of Auburn Hills. I was 11 and my neural pathways were wide open for the pomp of a big art-rock stadium show. The lasers, lights, projections, fog machines, flying pigs and airplanes, and most of all the music… I assumed that's what all rock shows would be like from that point forward. Between us, my brother and I collected all of their albums, read articles in guitar magazines, and learned everything we could about Floyd's different eras, from Syd Barrett's woeful decline into mental illness and the deep experimentation of the early-'70s on into the peak commercial period that stretched from Dark Side to the The Wall.
I'm remembering all this because I saw the new 4K cut of Pink Floyd at Pompeii – MCMLXXII on the big IMAX screen yesterday and it blew my mind all over again. When I saw the Becoming Led Zeppelin documentary at this same multiplex in February, I was one of about eight paying customers and expected something similar for Pompeii film. I was a little shocked when the theater filled almost to capacity with rowdy, excited fans for a Sunday matinee. After the slow-zoom opening shot of the band beginning "Echoes" in the empty Roman amphitheatre, it kicked into close-ups of David Gilmour and Rick Wright harmonizing and they became my favorite band all over again.
Today the neighbors are getting a new roof. There's a lot of hubbub on the block. I run five miles and officially kick off the training schedule for my next race which is at the end of summer. I prefer running in the shoulder seasons, but this one fits my schedule and I've never run it before. A new challenge.
Weeknotes: April 21–25, 2025
Monday, April 21
I'm up earlier than usual and tip-toe into the kitchen to make coffee, trying not to wake Islay. If I make too much of a fuss, she will activate into breakfast mode and we'll have to begin our whole morning ritual. I turn the radio on low and learn that Pope Francis has died. I'm not religious and the Catholic church is historically controversial, but I liked this pope. For 13 years he was a voice of empathy and compassion to a large global flock. For him to die during a period of such fractious leadership is a blow to the world. He was an outlier amid his lineage and I'm afraid his successor will be much more conservative. That's how the pendulum is swinging right now. I visited the Vatican in 2018. I stood in St. Peter's Square and toured the Basilica. It's a place of awe and reverence, even for secular people like me.
In Massachusetts, it's Patriot's Day, a holy day for the running community. I’ts the 129th running of the Boston Marathon. I've never attended, nor qualified to run it (yet), but I love to follow the sport's oldest annual race. Like many, I was delighted when Des Linden, an American runner from Michigan, won in 2018. I read her memoir last year and this morning she announced that this would be her final professional marathon.
I keep the race broadcast on in the background while I work. Kenyan John Korir distances himself from the pack early on and it's his to lose. He finishes well ahead of any competitors and 13 years after his brother Wesley Korir, making them the first pair of siblings to wear the laurel wreath. The women's race is more dramatic with Kenyan Sharon Lokedi keeping pace with her teammate, the reigning Boston champion Hellen Obiri, until the final mile. Obiri is known for her kick, but it never comes and Lokedi pulls away, shattering the women's course record at 2:17:22.
Weeknotes: April 14–18, 2025
Monday, April 14
Islay lifts her sweet face and peers over at me from her end of the couch. I lean over to hug her and she gives a few contented snorts before re-composing her limbs into an endearing tangle across her dog bed. I've promised myself I'll take her camping again this summer. It's been six or seven years since she slept in a tent and gave me the worst poison ivy rash I've ever had. We'll have to stay vigilant, but I want to make sure she gets more adventures outside our neighborhood. How many summers does a little dog have?
I ran my six mile route earlier in the day and it inspired a mood of supreme confidence and ambition which I haven't felt in a while. Those rare triumphal runs make all the ordinary everyday runs feel like part of a greater plan you knew you had in you all along. In my head I plotted out my next four marathons, one each month in a different city. I'll train harder for these races than I ever have before, all while going to school, working full-time, and recording a new project. What's more, I'll manage to shave 25 minutes off my PR and finally qualify for Boston. No problem. I carried this ambition back to my doorstep, inhaling the spring's first pollen, certain my strength of conviction would last.
Weeknotes: March 3–7, 2025
Monday March 3
I'm on Spring Break. The last time that happened was 1997, by which time I'd already been a college dropout for a year. I joined a group of friends on a weeklong trip to Hilton Head, South Carolina where we drank impressively and agitated the local retiree populace as only drunken youth can.
This year, my friend Serge invited me on a weekend road trip to Newport, Kentucky to see Robyn Hitchcock at Southgate House Revival. It’s the successor to the late Southgate House, a grand old pile that for decades served as a staple of the indie rock touring circuit until its abrupt closure in 2011. GLMS played a show there sometime in the mid-2000s, though my memories of it are hazy. We opened for an Oregon band called the Stars of Track and Field in the tavern room and played mostly to the staff. We might have caught a couple strays who wandered in for a beer, but neither band had any fans there. Somewhere there's a photo of me in one of my occasional touring moustaches posing next to an oil portrait of some colonial chap who may or may not have been the manor's original inhabitant.
The revival occupies an old church just a few blocks away and carries some of the original’s historic gravitas, even if it feels like a work in progress. But, a santuary seems like a good fit, especially for Hitchcock who was in top form. His set consisted almost entirely of requests, a detail I didn't learn about until I overheard his partner, Emma Swift, asking fans at the merch booth if there was anything they'd like to hear. I can hardly remember the songs I've just practiced, let alone dredge up curios from the distant past; this gig would be my nightmare. In fact, I've probably had this nightmare. But Robyn was game, and as a result I got to hear songs I never thought I'd hear live, foremost among them the timely "Don't Talk To Me About Gene Hackman," a cut so deep it was the second of two unlisted secret tracks buried at the end 1999's Jewels For Sophia. He closed with the Soft Boys gem “Queen of Eyes,” a song I’ve included in my own set many times. As an encore, he unplugged his guitar and paced around the congregation leading a sing-along of the Beatles’ “A Day in the Life.” My kind of sermon.
The next day we drove an hour east to see the great Serpent Mound, a 1,348-feet-long effigy built thousands of years ago, probably by the Adena culture. The gates were closed when we arrived, so we took our chances and trespassed on foot. Relative to this country's size, America has preserved so few of these ancient earthworks. Past a small visitor center and rickety observation tower (closed for repairs) the curving burial mound stretched serenely out of view, bordered by a paved footpath. With no one else around, it seemed especially peaceful and we grokked it with reverence for its prehistoric creators and apologies to its present-day stewards, the Ohio History Connection.
Best of 2024
I enjoy the self-reflective tone of the year’s end. I spend some time taking stock, reviewing my past goals, looking at what went well, what went poorly, what surprised me, how much I changed, where I traveled, who I met, what I made, and other observations that left some kind of imprint on me. All of this helps me move into the new year with a certain measure of confidence and optimism. Assembled here is a Top 40 of personal highlights, ranked in no particular order.
Weeknotes: November 25–29, 2024
It’s the start of the holidays. I’ll likely take a break from Weeknotes sometime in the next month, but for now, here’s a little Thanksgiving four-parter and some notes on the joy of running.
Monday, November 25
PART 1: I hang my evergreen wreath on the high eave of the porch. No ladder needed; I balance its fulcrum on the tip of my walking stick which I keep in a blue bucket next to the coat rack, and gently lift it up to the waiting nail placed there three years ago.
Weeknotes: September 16–20, 2024
Monday, September 16
There's a bad smell coming from somewhere on the porch. Is it just my overripe trash can? I'm standing out there sniffing, looking over the rail for a decaying rodent when CC pulls up. I guide her up the steps to "the spot" but she doesn't smell anything out of the ordinary.
We play through a handful of songs in the living room while Islay whines, begging for treats. Her brat summer continues. Many of our rehearsal tapes have insolent dog noises on them, like ambient feedback. She eventually settles down, head on paws, and listens from the couch.
CC and I revisit songs from previous albums and scale down a newer one from its full-band arrangement to duo format. We also add a few more short pieces which preface longer songs like sympathetic key siblings. In this way, our next set will contain about 20 songs in 45 minutes.