Weeknotes: August 12–16, 2024
Weeknotes went on vacation last week. Weeknotes thought about becoming Campnotes for a moment, but decided that being nothing was healthier. Now Weeknotes is Weeknotes again.
Monday, August 12
After four nights of camping, it's a luxury to wake in my own bed. The morning is cool with a slight blush of autumn. I love this time of year. It’s the start of harvest season, wildflowers are are at their peak, and as summer winds down, there's a bittersweet breath of change that never fails to electrify me. I'm most activated in the calendar's borderlands. Late August, November, April, early June, these are peak awareness periods for me. When the fullness of each season has yet to come, that's when the interesting stuff happens.
Weeknotes: July 29 – August 2, 2024
Monday, July 29
It's midday and my brother and I are driving up US-23 to Fenton in a borrowed truck. He puts on a low-key electronic mix that reminds me of Ulrich Schnauss' Far Away Trains Passing By, an album we both agree is the ideal downtempo vibe. We're picking up a couch our parents bought from a local furniture store to save them the shipping cost. Simultaneously, we both get a text from our boss. I'm driving, so Jamie reads it to me. Drama at the office. Six of our co-workers have been laid off amid a larger company-wide restructuring. Somehow, we have both survived another corporate culling, though it's hard to feel secure right now.
Weeknotes: July 22–26, 2024
Monday, July 22
I drive to the optometrist to pick up my new lenses. After two weeks of squinting and headaches, I ease back into a world of stunning clarity. I almost expect to hear a fanfare as I slide them onto my face. On the drive home I stop at Dairy Queen and eat a chocolate-vanilla twist cone in my car while listening to pundits discussing President Biden's decision to drop out of the race. For the first time in months, I feel some hope. The path to November had become a funeral procession. Can Harris can pull off what shouldn't have to seem like some kind of miracle?
It's an otherwise desultory day of self-admin and catching up at work. At night I walk into town to see a show at Ziggy's, less because I want to, but because I think going out would be good for me. It was right move. Sitting on the stage floor, Sara Tea plays a hypnonic set of ambient autoharp drones and other manipulated sounds while landscape videos are projected on to a small board to her left. Michael C. Sharp follows her with radiant synth and guitar shimmers, and finally my neighbor, Golden Feelings, kicks off his summer tour, sending out sweet lotic tones from a small Mexican blanket-covered podium. It’s a perfect Monday show. Soothing experimental music, no vocals. I catch up with friends and discuss DJ-ing skate jams, breaking down in the desert, banjo museums, and Ray Lynch's Deep Breakfast.
Tournotes: July 17–19, 2024
Wednesday, July 17
Just after highway marker 334 on I-75, the bridge suddenly appears on the horizon. Depending on the atmosphere it may be a hazy mirage jutting out of the woods or a sharp relief of cream-colored gates against the blue. Today the weather is dramatic and I make my crossing to Dina Ögon's pastoral "Oas" while freighters churn into the straits from sunny Lake Michigan. To the east, stormclouds fall across Lake Huron in a foreboding smear above the three nearby islands. Dead ahead is an uncertain mix of gray and white over the green expanse of the Upper Peninsula. Crossing the Mackinac Bridge is never not special. Midway through, the right lane is cordoned off where two workers in hazmat suits blast flakes of Federal Standard 595c #14110 (foliage green) off the massive suspension cables with a firehose. I don't think I have ever crossed without encountering some type of maintenance. At the toll booth in St. Ignace I pay my own fare and that of the car behind me, a custom I learned years ago from K.
Weeknotes: July 8–12, 2024
Monday, July 8
In my dream I'm exploring a vast art deco hotel. It's mostly empty, either abandoned or in the offseason. Crates of interesting goods are stacked haphazardly around a casino-like room and behind the ornate bar I notice a beat-up cardboard box advertising a Casio keyboard model I've never seen before. What I pull out of it ends up being a gig bag containing an ornate handmade bouzouki, or maybe a cittern. Its strings are strangely paired with the middle ones in overstuffed clusters of three or four, all tuned in unison rather than octaves. I also notice the wood has rotted around the soundhole and on the back. A shame, as it's a beautifully designed instrument. I decide not to steal it.
I spend some time with Pretzel, my neighbor's three-legged cat, for whom I'm caring this week. He has barfed on his white couch blanket every day and every day I carry it down to the laundry room and re-wash it. I listen to Jake Xerxes Fussell's new album as I drive to Dexter to meet up with my cousins one last time before they depart to their respective homes in Pennsylvania and Florida. After dinner we visit our grandparents' grave where last summer we also laid some of their mom's ashes in a spontaneous little family ceremony. Then it's hugs all around and off we go into the furnace of a July evening. I put on some Hawaiian slack key music and keep all the windows down even on the highway.
Weeknotes: July 1–5, 2024
Some weeks words don’t come easy. I’m settling for brevity this week. Quicknotes, 100 words or less, which is rather fitting, given my opinion of July.
Monday, July 1
I feel frustrated. Nothing big, just in a general sort of way. 20 years ago I released my first solo album, Summer Cherry Ghosts. I'd meant to write an elaborate post celebrating its anniversary, but just can't seem to summon the energy. Every year July arrives with great expectations, but I never seem to meet them. Honestly, it's one of my least favorite months of the year. Here is an empurpled essay I wrote about that album several years ago.
Weeknotes: June 24–28, 2024
Monday, June 24
I've been thinking about all the great bands I've seen recently and how it has rekindled my love of concert-going. This inspires me to start a spreadsheet of every concert I can remember attending. Lists are my language. How have I not made this one yet? I begin with the past decade which is well-documented in my planners and journals. After that I resort to memory and the internet, researching the dates of some of my most formative experiences. Here's what I learn.
Between 1988 and 1990 (ages 11-13), my parents spent a lot of money to make sure I saw some of the bedrock touring bands of the era. Of course, my very first concert was a few years earlier, the Beach Boys with Warren Zevon on Memorial Day weekend, 1984. I have vague sensory memories of it, but can recall no strong details. I sadly remember nothing of Zevon and only know of his participation from the ticket stub. In retrospect, I know Dennis Wilson had died the previous December, so I wouldn't have had a chance to see all three Wilson brothers. Could Brian have possibly been there? It seems doubtful. That was a rough period for my hero, though I later had a beautiful experience in the summer of 2000 taking my mom to see him play the Pet Sounds album live in Cleveland.
But in the late-'80s, I owned my first electric guitar and was already deep into my mania. In August 1988, barely a week after it opened, I was taken to the Palace of Auburn Hills to see Crosby, Still, & Nash and then Pink Floyd, just two days apart. A month after that my mom and Mary Jane Benner took me and her son Josh back to the Palace to see Def Leppard's massive Hysteria tour. To this day my mom remains a big fan of the Lep. In November 1989, I went with Aaron Dilloway and his brother to see the B-52's at the Fox Theatre on the Cosmic Thing tour. Toad the Wet Sprocket, an incongruous pairing, was the opener, touring their first album Bread & Circus, which I also loved. Between December of that year and June 1990, I saw the Rolling Stones (with Living Colour), Tom Petty & the Heartbreakers (with Lenny Kravitz), Billy Joel, and David Bowie. Seeing Bowie's Sound + Vision tour with my brother remains a watershed moment in my life. And of course he, being four years older, was already going to see far hipper bands than me: Jane's Addiction, Pixies, Love & Rockets, Beastie Boys. Some parents pushed their kids into sports or academics. My parents were devoted music fans and lifetime concert-goers. This was the education I received at a crucial age. How could I have become anything other than what I am?
Weeknotes: June 17–21, 2024
Monday, June 17
The start of my marathon training schedule coincides with a miserable heat wave. It's early morning runs or none at all. I'd expected the work on the Spring St. Bridge to be a summer-long endeavor, but as I'm about to make my detour, I see cars crossing in both lanes. To my left is a dirt lot that alternately serves as a staging area for construction crews and a depot for piles of compost in the summer. As I pass, a large earth mover uses its basket to push an aluminum rowboat across its expanse. The bridge looks unchanged; I'm not even sure what they repaired.
Although it's good news for this leg of my run, my satisfaction is tempered by the knowledge that they have already closed off the LeForge Bridge, which I cross even more frequently. LeForge is my gateway out of town, on foot or by car, and also offers easiest access to the river. Just east of the Pen Dam, it's where I put my kayak in. I've lived in river towns before, but never been so affected by their crossings as I am here.
Weeknotes: June 10–14, 2024
Monday, June 10
Morning Glory Report
This year’s varieties:
Heavenly Blue
Celestial Mixed
Flying Saucers
Scarlet O'Hara
Seeds Sown (Indoors): April 10
Seedlings Planted (Outdoors): April 30
Notes:
Flying Saucers are this year's overachiever, the first to reach the fencetop summit. The plant is split between two vertical trainers with one vine about 4" ahead of the other. The Celestials are in hot pursuit with thicker, hairier vines that are maybe 6" from the summit. Heavenly Blues' slender vines are about ⅔ up the twine with Scarlet O'Hara having only just begun her climb.
I say it's not a contest, but I go out and check their progress every morning, a favorite summer ritual that's about to be paired with A.M. raspberry picking. With nowhere to else go, the Saucers are about to become airborn, flaunting their windblown freedom. I spend an hour stringing up aerial trainers from the fencetop to eye hooks on the side of the nearby shed. If they continue to grow well, it will create a woven green trellis above the evolving Fronds Lounge.
Weeknotes: June 3–7, 2024
Monday, June 3
Lots of self admin to start the week. Whacking finances into shape, prioritizing my workload, and drawing up plans for a couple small builds to compliment my growing armada of Leopold-shaped lawn furniture. It's going to be criss-crossed legs a go-go out there.
After weeks of speculation Ford finally announces the roster for their big Live From Detroit concert at Michigan Central. Hometown heroes like Diana Ross, Jack White, and Eminem are the major attractions among an all-star multi-genre revue celebrating the reopening of Michigan Central Station. After being abandoned in 1988, Detroit's historic train station loomed for years over Corktown, a forlorn monument to the city's economic failure. Ford Motor Company has spent the past six years restoring this landmark into a downtown hub for themselves and various automotive innovators, retail spaces, restaurants, and galleries. In doing so, they also bought up much of the land around Roosevelt Park, pushing out residents and established businesses. Like anything in Detroit, it's not without controversy. Tickets were free and sold out within minutes. Somehow I logged on at the right moment and scored a pair.
In the evening I build a small side table/bench, its Leopold legs splayed wide underneath a short 2"x10" plank. It looks like a tent or a small blocky dog. I name it Miniskirt.
Weeknotes: May 27–31, 2024
Monday, May 27
Riding through Frog Island, I awkwardly balance a mug of coffee in one hand, its contents sloshing against the clear lid. The ratatat of a snare drum echoes across the amphitheater's bowl. At the confluence of pedestrian bridges under Cross St., I turn right, then walk my bike up the hill to meet the band. American Legion Post 282 has a tradition of pausing the Memorial Day Procession -- they are adamant about calling it a procession, not a parade -- in the middle of the bridge and honoring lost mariners by dropping flowers into the river below. I stand next to a group of curious Girl Scouts leaning over the cement barrier and listen to the volunteer band play a shaky hymn. After the selected Legionnaires and Daughters of the Revolution send their bouquets over the edge, the bandleader stands in his Chuck Taylors and blows "Taps" on his bugle. Thirty seconds later the three gun salute startles me and I'm clearly not alone.
Even though the parade is not well advertised, I feel ashamed by the scant turnout. There are more bodies in the procession than there are spectators, making it feel somber, rather than celebratory. I'd planned on bowing out after the bridge ceremony, but given the circumstances I decide to bear witness to the whole thing. My dad is a veteran. Someone has to show up. I ride up River St. ahead of the procession to Highland Cemetery whose stoic iron gates I've run past hundreds of times. I've always meant to explore the grounds, but somehow haven't made the time since I moved here.
I love cemeteries. They are places of respect where all residents are basically on the same level. The most elaborate mausoleum has no real advantage over the humblest headstone. Everyone's journey is over and their remains are all mixed together among the shady hardwoods, watched over by the same squirrels and birds. I ride down a lane past the groundskeeper's barn and feel a flash of yearning to make that my profession. I'd keep a good cemetery. But, they don't need my help. Highland is a gorgeous and well-maintained place.
After the speeches and ceremony around the Civil War memorial I wander back to my bike leaning against a giant oak. A small banner with Lionel Richie's face on it and a "Hello" caption is planted next to a nearby headstone. Humor reminds the living we are alive. As I'm wheeling towards the exit I see in the distance a young girl in rollerblades careening down one of the blacktop lanes, arms windmilling. She cruises onto the grass and somehow recovers her balance, no harm done. Her father and dog follow unhurried down the hill behind her.
River Notes: May 24, 2024
Friday, May 24
10:50 A.M. - I finish strapping my kayak onto the roof rack of my little hatchback which looks very sporty in summer mode. When I install them in the spring, the distinctive Yakima JayHooks poke up just enough to help me locate my car in grocery store parking lots. I also like to imagine they add an air of mystery or at least suggest to passersby that the person who drives this economy car is still sporty and adventurous even if they no longer own a Jeep.