Weeknotes: November 3–7, 2025
Monday, November 3
It's hard sometimes to play fast, but we are a rhythmic species — if you practice enough, a fast part usually comes together nicely, at least in my experience. I think it's much tougher to play slowly. When there is more space between the beats, you have nowhere to hide — each note carries more weight and a whole menu of nuance opens up.
I've been trying to make some music that is very minimalist with few elements and plenty of negative space. The piece I'm working on is for two fingerpicked guitars, one playing a repeated chord pattern at a relaxed tempo and the other playing a very deliberate single note lead melody. More often than not, this is the kind of music I listen to around the house: sparse Nordic jazz records from ECM, solo acoustic guitar albums, ambient synth music, etc.
Most of the music I've released has been densely-arranged songwriter pop with clever arrangements, layered harmonies, and lots of percussion. I will make more of that, but I also want to challenge myself to see if I can scale down and still keep it interesting. It's making me a better, or at least a more thoughtful guitarist. Because there are no vocals and just one or two instruments, I'm thinking very hard about every note and asking questions like:
What part of my finger yields the best tone for this note?
If I can't finish this part today, will my fingernails be too long and sound slightly different tomorrow?
How long should I let these overtones ring?
Do I slide up to this note or hit it dead on?
A bit of vibrato heading into the rest?
Weeknotes: October 27–31, 2025
Monday, October 27
Outside the pub the evening sky is lavender. A crew of runners, all in costume, piles up at the crosswalk, laughing and jostling on a Halloween fun run. I think I'll take the long way home.
At the bend on Norris I slip through the chain fence and walk past the old depot. To my left a man is chasing his laughing son down the hill on Maple Street. Everywhere, people are smiling. I am too. It's late October and I've been reading Ray Bradbury. Here's a gem from his introduction to the 1999 edition of The October Country:
Skeletons are wondrous ramshackle items that birth themselves when the humans they wore go away.
Ray loved skeletons. I wonder if his is glad to be unburdened of its mortal obligation.
Much of Depot Town is closed on Monday. With its silent barber shop, old brick facades, and ornate central clock, it resembles Green Town, Illinois, the fictional midwestern town where Bradbury set masterpieces like Dandelion Wine and Something Wicked This Way Comes.
At Schultz Outfitters I cross the street and disappear down the stairwell into Frog Island Park. Out on the pitch a group of friends are playing a pickup soccer game — coats are scattered across the terraced bleachers. A brown and white dog lays curled up, watching its human play. On the other side of the path the embankment leads down to the river. The stone firepit, built on the dry riverbed during summer’s drought, has been reclaimed by the rising water.
At the Forest Street bridge I lean over the rail to take my favorite photo. A man passing on the sidewalk says "I love that shot too." Another passerby comments "this summer was the lowest I've ever seen the river. I was worried about fish getting trapped in shallow pools."
"But look at it now," I say.
Weeknotes: October 20–23, 2025
Monday, October 20
Through trial and error, I think I've traced the signal hum to my outboard preamp, a Golden Age Pre-73 MKII. It was recommended to me by Fred Thomas and was integral to my last two albums. Maybe it just needs a new power supply — that would be the best case scenario. More impactful is the loss of my primary condenser mic, an old Studio Projects C1 I bought in 2006 and use for almost everything I make. Like all my gear, it's a budget piece, but it has survived nearly 20 years of abuse and performed beyond all expectations. I'll likely get both items repaired, but I can't afford it right now.
So, with my two workhorses out of commission, I'm left with what I've got. I think of the old adage "the best tool is the one in front of you." I have a handful of other mics, but nothing that really fills the role that the C1 does. I could borrow a decent condenser mic from a friend, but a part of me welcomes the limitations of making do with what's on hand. That’s where creativity starts.
During rush hour, I'm running down a hill toward a busy intersection. There's a car in the northbound lane facing me with its hazard lights on and another in the southbound left turn lane, also stopped. Several people are crouched in the middle of the road picking up some type of debris while evening traffic diverts around them. I assume it's broken glass from a collision, but as I approach, I see the road is scattered with what looks like an entire box of nails. Bending to help, I ask one of the good Samaritans how they got there.
"No idea. I wondered if it was a sabotage campaign from a local tire company," she jokes.
Some of the nail heads have already been driven into the soft asphalt and I have to pry them out with my fingernails. But, just think of all the punctures we're preventing.
Weeknotes: October 13–17, 2025
Monday, October 13
I'm drinking white wine and listening to Weather Report. It feels like a cliché, but I'm not sure why. Yesterday felt like Monday Jr. I worked so hard all day and kept the momentum going into today before falling into a slump.
At 3:00 I took apart my salt lamp and replaced the cord, plug, and in-line switch, a fairly simple household repair. Nothing. It didn't work.
When a lightbulb doesn’t go on, maybe it's the universe telling you you're done for the day. I didn't listen and instead tried to finish the baffling for my studio, stapling an old burlap coffee bag around an acoustic panel. Midway through, the tack gun jammed and I couldn't fix that either. Hello, wine.
Weeknotes: August 26–30, 2024
Monday, August 26
"Do you know your way around here?"
"It's my first day!"
I'm comforted to see another older student struggling to find the right building on the directory map. I've just finished my first class and offer to walk her over to where I think it is. Her name is Norma and she's probably a few years older than me, using the GI Bill to finish up a degree of some sort.
I steer her to the incorrect building and she ends up walking back to her car to drive to the other side of campus. I was trying to be helpful, but I hope I didn't make her late.
Weeknotes: August 12–16, 2024
Weeknotes went on vacation last week. Weeknotes thought about becoming Campnotes for a moment, but decided that being nothing was healthier. Now Weeknotes is Weeknotes again.
Monday, August 12
After four nights of camping, it's a luxury to wake in my own bed. The morning is cool with a slight blush of autumn. I love this time of year. It’s the start of harvest season, wildflowers are are at their peak, and as summer winds down, there's a bittersweet breath of change that never fails to electrify me. I'm most activated in the calendar's borderlands. Late August, November, April, early June, these are peak awareness periods for me. When the fullness of each season has yet to come, that's when the interesting stuff happens.
Weeknotes: April 29 – May 3, 2024
Monday, April 29
I'm sleeping with the windows open again and the birds wake me around 5:30. It's always robins. The local harbinger of early morning. There are days when I'd like to sleep in longer, but spring feels especially friendly right now and I'm happy to hear my neighborhood come to life. The lilacs on my street are in bloom and the volunteer tulips next to the sidewalk have risen to attention. Rain showers move through as frequently as trains. Everything is leafing out and I'm into all of it.
I listen to Mdou Moctar's wild Funeral For Justice album while Islay and I meander up the street. She pauses and sniffs every invisible station while I vibe to the North African guitar shredding lighting up my synapses. After work I sit on the bed and email venues, trying to put together a small weekend tour in July. Soliciting gigs a thankless task, but I'm trying to keep my calendar relatively vibrant, so I soldier through it.
As evening rain comes and goes, I record a demo of a song I wrote in 2022. I have so much unreleased material right now, I'm trying to get it all down and figure out what to do with it. It's humid and warm and I keep the studio window open, allowing the night sounds to permeate the tracks.
Afterwards I watch Top Chef. I'm not much for reality TV, but I started watching this show for first time last spring while ramping up for my album's release. It became an easy stress reliever and now I just enjoy it. Kristen Kish is still getting her rhythm down as host, but I like her. And I like that the new season is in Wisconsin, a state I have a lot of affection for.
Weeknotes: March 11–15, 2024
"How dare you." This, grumbled to my red Newgate clock as I return home from an afternoon walk. Daylight savings and poor time management have made me irritable. It's 3:30 and what have I gotten done?
The sun glinting off an old antique gum dispenser on my living room shelf was the first thing I noticed this morning. It ignited a previously-simmering desire to install a mantle mirror behind that shelf and open the room up to more light.
Weeknotes: March 4–8, 2024
A couple hours into the workday I pause to add some synth parts to a demo I started recording over the weekend. It was a song idea I got while running and I had to keep singing it to myself until I could get home and could do something about it. This happens to me a lot and I doubt I'm alone. Many of my best creative breakthroughs have come while running or walking. Being ambulatory jiggles the mind in a helpful way and I sometimes feel like I can hold very elaborate concepts in my mind while on foot, but as soon as I'm back home amid familiar sounds, objects, and needs, they quickly dissipate. If what I'm imagining seems particularly exciting or urgent I try to condense it into bullet points as I near my house so I can quickly jot them down as soon as I get inside. It's a debrief that often usurps even the need to drink water.
Weeknotes: February 12–16, 2024
"I Want You To Want Me is one of my least favorite songs." Unbidden, 9:18AM.
This statement launches the liveliest of my various group chats into its morning of banter. There are certainly better Cheap Trick songs, though I find it hard to be too critical of this enduring 1977 earworm. I've always enjoyed hearing the Budokon version with its enthusiastic callback lines from the crowd. Honestly, I can think of so many other repetitive pop songs by lesser groups that stoke my ire. The other offending songs posited are Concrete Blonde's version of Leonard Cohen's "Everybody Knows" and Patience and Prudence's "Tonight You Belong To Me." I have some nostalgia for the former which reminds me of the Pump Up the Volume soundtrack. The latter, while painfully precious, is so brilliantly immortalized by Steve Martin and Bernadette Peters in The Jerk, that I can't really hate the song itself. All three strike me as odd bugbears, but then I've got plenty of my own.