Weeknotes: September 1–5, 2025
Monday, September 1
Labor Day lines up with the first of the month in satisfying synchronicity. I'm off work and just back from my trip to Marquette, so really it feels like the eighth day of the previous week. I started school last Monday — two classes, one of them entirely online — and ran my marathon on Saturday. Here's what I learned: don't underestimate yourself.
All summer long I struggled to gain momentum. My training felt sluggish and ineffective, and I wasn't even sure why I was still doing it. I spent the past month tempering my expectations, convincing myself I was grossly undertrained. I slept poorly the week of the race. The drive north, which I usually love, felt like an upstream slog against holiday weekend traffic. I arrived in Marquette later than I wanted to and had generally written off my chances of finishing in under four hours.
The sun rose through the mist in Turner-esque drama. I shivered in the dawn chill at the starting line, trying to summon my usual race day excitement, wondering how I’d find the motivation needed to carry myself the distance. Four miles into the race I was still searching for motivation, yet somehow maintaining a brisk 7:40 pace. I’d started out in the front third of the field, assuming I’d fall back pretty quickly. I did, but not by much. By mile nine I’d settled into a groove and came to a surprising realization — I had grit. A whole wellspring of it earned from 11 previous marathons and 16 years of running.
Having a clear motivating factor is helpful, but sometimes you just have to rely on your guts and put one foot in front of the other.
I hit the wall early around mile 17, and had to lean pretty hard on that grit to get me through the last nine miles, most of them along sunny, placid Lake Superior. At mile 26, the finishing chute appeared before me with the great bulk of the Yooperdome just behind it. I found my kick and sprinted the last 200 meters with a smile on my face, passing another runner a few feet ahead of the finish line just for the hell of it. It was one of the best races I've ever run and I was only a few minutes off my PR. I had completely counted myself out before I even started. In hindsight, how could I not know I had this in me? Sometimes you just have to go through it to come to a simple truth. It felt like a turning point in what has been a rather desultory year.
Back in Ypsilanti my legs still ache, but my head feels better. My attitude has improved and I can feel some creative momentum building. If I can make a comeback like I did in Marquette, I wonder what else I can do?
Weeknotes: March 3–7, 2025
Monday March 3
I'm on Spring Break. The last time that happened was 1997, by which time I'd already been a college dropout for a year. I joined a group of friends on a weeklong trip to Hilton Head, South Carolina where we drank impressively and agitated the local retiree populace as only drunken youth can.
This year, my friend Serge invited me on a weekend road trip to Newport, Kentucky to see Robyn Hitchcock at Southgate House Revival. It’s the successor to the late Southgate House, a grand old pile that for decades served as a staple of the indie rock touring circuit until its abrupt closure in 2011. GLMS played a show there sometime in the mid-2000s, though my memories of it are hazy. We opened for an Oregon band called the Stars of Track and Field in the tavern room and played mostly to the staff. We might have caught a couple strays who wandered in for a beer, but neither band had any fans there. Somewhere there's a photo of me in one of my occasional touring moustaches posing next to an oil portrait of some colonial chap who may or may not have been the manor's original inhabitant.
The revival occupies an old church just a few blocks away and carries some of the original’s historic gravitas, even if it feels like a work in progress. But, a santuary seems like a good fit, especially for Hitchcock who was in top form. His set consisted almost entirely of requests, a detail I didn't learn about until I overheard his partner, Emma Swift, asking fans at the merch booth if there was anything they'd like to hear. I can hardly remember the songs I've just practiced, let alone dredge up curios from the distant past; this gig would be my nightmare. In fact, I've probably had this nightmare. But Robyn was game, and as a result I got to hear songs I never thought I'd hear live, foremost among them the timely "Don't Talk To Me About Gene Hackman," a cut so deep it was the second of two unlisted secret tracks buried at the end 1999's Jewels For Sophia. He closed with the Soft Boys gem “Queen of Eyes,” a song I’ve included in my own set many times. As an encore, he unplugged his guitar and paced around the congregation leading a sing-along of the Beatles’ “A Day in the Life.” My kind of sermon.
The next day we drove an hour east to see the great Serpent Mound, a 1,348-feet-long effigy built thousands of years ago, probably by the Adena culture. The gates were closed when we arrived, so we took our chances and trespassed on foot. Relative to this country's size, America has preserved so few of these ancient earthworks. Past a small visitor center and rickety observation tower (closed for repairs) the curving burial mound stretched serenely out of view, bordered by a paved footpath. With no one else around, it seemed especially peaceful and we grokked it with reverence for its prehistoric creators and apologies to its present-day stewards, the Ohio History Connection.