Weeknotes: August 4–7, 2025
Monday, August 4
I dreamed I was in a sitcom. There was a daffy character who liked to get her hair cut at cheap department stores and carried around a little green book that was assumed to be some kind of positive affirmational text. Just before I woke up, another character went to spy on her while she sat in the department store salon. The big reveal was that the little green book was actually a gambling how-to titled Let It Bet — she had a severe gambling addiction. End of scene.
I drop off my car at the mechanic's for another pricey repair then catch a ride home from Donald. On the way back to Ypsi we stop at DJ's Bakery on Packard where I get a rainbow sprinkle doughnut to offset my automotive woes. Later, I bum a ride off my brother to go pick it back up. We listen to the Ghettobillies, an Ann Arbor band we played shows with in the last century. Our two bands had little in common except that we were both misfits with no obvious music scene partners — this and a shared sense of humor resulted in an oddball pairing and camaraderie that lasted several years.
About a half mile from the mechanic we come across a road block that wasn't there this morning. I release Jamie from his brotherly obligation and walk the rest of the way. In front of the violin shop where I worked for 15 years a fire hydrant is gushing a jet of water into the storm drain and the driveway is being dug up — there seems to be a broken water main. I have a long history of walking up and down this road which is also home to the studio where I have made every one of my albums. It's mostly industrial (S. Industrial Hwy.), but I have great affection for this part of town and particularly this road. It still feels like home.
Weeknotes: December 30, 2024 – January 3, 2025
Monday December 30
The sun returns after several days of drear and what a difference it makes. I visit my parents and eat chili seasoned with brown sugar. My mom puts brown sugar in everything, a secret ingredient of her long happy life. My dad and I work down in the woodshop cutting and sanding some lumber for a couple home improvement projects I hope to complete before my vacation ends. Last night I saw the Bob Dylan biopic, A Complete Unknown, and was unexpectedly moved by it. It made me think of my parents and I urge them to go see it while it's in theaters.
I've had a lifelong respect for Dylan, but he's never really been my guy. I’ve owned various records, sung his songs, watched documentaries, and even read his memoir. I've flirted with "going through a Dylan phase" many times in my life, but it just never quite clicks. I didn't really have any expectations for Timothée Chalamet; my only reference was the recent Dune movies, but I've seen David Lynch's version so many times, it's hard for me to accept anyone but Kyle MacLachlan as my Paul Atreides.
Anyway, I loved the movie and was won over by Chalamet. I think biopics are always more successful when they set limitations and examine a specific era of a subject's life. The Greenwich Village folk scene of the early-'60s has always held an allure for me. Although they grew up in Chicago, my parents were the perfect age for that time. Together since they were 16, they graduated high school in 1963 and loved music more than anything. They were bopping around the clubs and coffeehouses of Chicago, steeping in the cultural abundance of that era during their late-teens. How lucky for them. I loved my teendom in the mid-'90s, but if there were another era I could be young in, I bet I would have thrived in that one. I'll just have to try and thrive in the present, a worthy goal for 2025.