Timothy Monger Timothy Monger

Weeknotes: October 20–23, 2025

Monday, October 20

Through trial and error, I think I've traced the signal hum to my outboard preamp, a Golden Age Pre-73 MKII. It was recommended to me by Fred Thomas and was integral to my last two albums. Maybe it just needs a new power supply — that would be the best case scenario. More impactful is the loss of my primary condenser mic, an old Studio Projects C1 I bought in 2006 and use for almost everything I make. Like all my gear, it's a budget piece, but it has survived nearly 20 years of abuse and performed beyond all expectations. I'll likely get both items repaired, but I can't afford it right now.

So, with my two workhorses out of commission, I'm left with what I've got. I think of the old adage "the best tool is the one in front of you." I have a handful of other mics, but nothing that really fills the role that the C1 does. I could borrow a decent condenser mic from a friend, but a part of me welcomes the limitations of making do with what's on hand. That’s where creativity starts.

During rush hour, I'm running down a hill toward a busy intersection. There's a car in the northbound lane facing me with its hazard lights on and another in the southbound left turn lane, also stopped. Several people are crouched in the middle of the road picking up some type of debris while evening traffic diverts around them. I assume it's broken glass from a collision, but as I approach, I see the road is scattered with what looks like an entire box of nails. Bending to help, I ask one of the good Samaritans how they got there.

"No idea. I wondered if it was a sabotage campaign from a local tire company," she jokes.

Some of the nail heads have already been driven into the soft asphalt and I have to pry them out with my fingernails. But, just think of all the punctures we're preventing.

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Weeknotes: January 6–10, 2025
Timothy Monger Timothy Monger

Weeknotes: January 6–10, 2025

Monday January 6

Outside the giant home decor superstore shreds of yellow caution tape flap like pennants, suggesting unknown drama. Scant cars punctuate the desolate parking lot. Grim is the word that comes to mind. In Chris Frantz's Talking Heads memoir (which I've stuck with, and am now enjoying) he recalls how Johnny Ramone used that word over and over to describe their shared 1977 tour of Europe ("Oh shit, man, this is gonna be grim"). 

I don't go to this store very often. It's one of those wastelands of excess that makes me feel edgy and cynical. It's like a blander Pier 1 without any curation, a shelter for the world’s decorative vases and wicker plant stands to live out their days in a heady fug of candle store aroma. I'm in the market for new bathroom rugs that will pair well with the tricky seafoam walls and faux driftwood floor covering I inherited when I rented the house. Last winter I spontaneously bought a complete set of grass green rugs and matching towels which I pretended to like for a couple days before recognizing I'd turned my bathroom into a 1980s Holiday Inn. January is when I'm most inclined to tackle these problems. Aren't we all working on our interiors this time of year?

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Timothy Monger Timothy Monger

Weeknotes: March 18–22, 2024

Waiting in the line at the bank. Snow flurries outside, another winter after a confused series of false springs. There are a handful of customers ahead of me and each of the three available tellers is occupied with a time-consuming transaction. To my left a young guy is either depositing or withdrawing his savings bonds. "This is a very grandparent thing to do, especially these days" comments the manager. The guy is wearing white New Balance sneakers, the kind with giant chunky orthopedic soles. He's already dressed like his grandpa. To my right a woman pulls her brother's death certificate out of her purse, hoping to close his account and withdraw the remaining balance. It's apparently too large a sum for the bank to handle this afternoon and she'll have to come back next Wednesday. Directly in front of me a woman in a corduroy fedora is silently involved in some unknown, but laborous business with her teller. A man wearing one of those black brimmed Stevie Ray Vaughn hats with silver bangles around it is sitting masked in one of the waiting room chairs. An electronic doorbell ding-dongs every time someone walks in or out.

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