Weeknotes: March 10–14, 2025
Monday March 10
The day rises bright and clear, an hour later than it's supposed to. Daylight Savings has begun and even though I enjoy the brighter evenings, it makes the mornings feel rushed. I put Grace Jones' Nightclubbing on the turntable and dive into Monday stuff.
CC sends me my horoscope from an app she uses:
Timothy Monger wants to push the limits today. Distract the museum guards while they kiss a painting.
I spend the afternoon with some co-workers volunteering at a local food bank. We sort giant bags of carrots and pack up about 120 boxes of dry goods. It's satisfying labor, but I wouldn't say I pushed my limits. Mostly, I just feel tired and can't figure out why. It's 65° and sunny when I get home. I sit in a camp chair in the yard finishing out my workday. To my left Islay assumes her customary position at the foot of the driveway, already in warm-weather mode.
March is a tricky month. You get warm days like this, but the sun is not itself. It's harsher and more unrelenting, glaring over dead lawns strewn with winter's detritus.
Here are some nice birds I've already seen this week:
Bald Eagle
Pileated Woodpecker
Harlequin Duck
Weeknotes: October 21–25, 2024
Monday, October 21
Battleground state fatigue. Two weeks unil the election and it's just a relentless slog of unwanted emails, texts, and TV ads. I listen to Death's classic debut Scream Bloody Gore over coffee and oatmeal. I hope it's not a harbinger of the violence we're all afraid will occur after November 5.
I remember when my brother first bought this album on cassette in the late-'80s. We were power metal guys (Iron Maiden, Helloween, Fate's Warning) and had never heard death metal. Jamie was already into punk and some thrash. He bought it because it seemed audacious and kind of funny. A band called Death with a bunch of skeletons in robes drinking wine on the cover. I was about ten or eleven and they were pretty heavy for me, but I was still rapt whenever he put them on. It was kind of scary and exciting, like when he gave me his Walkman and told me to go into the closet, turn off the lights, and listen to "In the Beginning" by Mötley Crüe. Shout at the Devil sounds lightweight now, but there was some great glam-Satanist theater to that intro that really tapped into the zeitgeist of the era.
I went to the John Williams pops concert over the weekend. I took my mom; we had a pub dinner then went to the symphony. Very classy. Honestly, it was one of the most transformative concerts I've seen in years. Even more than power metal, John Williams' film scores are the true music of my youth. They go straight into that special part of my soul where hope and green things live. My face hurt from smiling so hard and when I wasn't smiling I was crying, especially during the Superman march, Star Wars end credits, and E.T. theme. Damon Gupton was the guest conductor and proved to be an effective showman and emcee. Some of the players had costumes on; a few witch hats, a toy shark affixed to the top of the harp. We thought they were going to hold out and deny us the Raiders of the Lost Ark theme (we'd have gone all Scream Bloody Gore on them), but of course it was the encore. The joy of life was in that room.