Weeknotes: May 18–22, 2026
Timothy Monger Timothy Monger

Weeknotes: May 18–22, 2026

My attention has been focused elsewhere this week, and what writing I’ve done feels lackluster. I'm not going to force it. Please enjoy this Weeknotes anthology of bullet points, lists, and images.

Read More
Weeknotes: May 11–15, 2026
Timothy Monger Timothy Monger

Weeknotes: May 11–15, 2026

Monday, May 11

I lie down on the grass next to Islay, whose dark fur stores the sun's heat like a solar mat. Not for the first time, I try to memorize the feel of my dog's body, the shape of her head, her floppy ears, and gray muzzle. I hope I can give her a fun summer.

At the studio in Ann Arbor, Geoff and I mix tracks for my upcoming EP. One of them, a percussive instrumental synth piece, is giving me trouble. It needs one extra element, maybe not even an actual part, but some kind of sonic layer. Earlier in the day I tried some random tones from the little Casio CT-1, then a few hoots from a clay ocarina. I'm grasping. A field recording of the local university alert system comes closest. Its repeating chimed notes match the song's key, but the recording is too clean. It needs to be scuffed up somehow.

Read More
Weeknotes: April 27–May 2, 2026
Timothy Monger Timothy Monger

Weeknotes: April 27–May 2, 2026

Monday, April 27

The New Pornographers are playing El Club in Detroit. I last saw them in 2014 on the Brill Bruisers tour and I'm surprised how much better they sound tonight in a smaller venue with a retooled lineup. Dan Bejar is no longer with them, so I don't expect to hear any of his songs. As usual, the excellent Kathryn Calder handles Neko Case's parts on stage, along with all her own vocal contributions and the lion's share of the keyboard parts. Joining her is newcomer Jess Nolan who sings lead on a couple songs, plays additional keys, and melodica. The other new touring member is drummer Joshua Wells from Destroyer and Black Mountain. 

I was a big fan of original drummer Kurt Dahle and missed the entire Joe Seiders era — probably for the best, given his disgraced exit. The New Pornographers are a rhythmic powerhouse with technically challenging parts, not just for the drums, but vocally and instrumentally. Wells is a perfect fit — a hard-hitter with a deep rock vocabulary and infectious energy that propels the whole band. Nolan, for her part, steals the show a couple times and compliments Calder's voice well. Carl Newman's songwriting is the backbone. Packed in a sweaty room a few feet from the stage, I feel the old magic as they rip through "Use It," "The Laws Have Changed," and "The Bleeding Heart Show." 

Read More
Weeknotes: April 13–17, 2026
Timothy Monger Timothy Monger

Weeknotes: April 13–17, 2026

Monday, April 13

An early spring balm has seeped into the room. My jeans, left overnight on the chair, have a clamminess I associate with deep summer. Outside the open window everything is busy living, expanding, rising. On Saturday, I raked the perimeter of the house, pruning the overgrown sage bush, clearing debris, and pulling up endless bunches of yard garlic. I even mowed the lawn, mostly to mulch the thousands of accumulated twigs.

After my A.M. class, I work at my desk, watching the mercury on my window thermometer climb to 80°. I can’t help but feel like I'm missing out on the season. April 13, and I'm already panicking like it's mid-August.

Back by the fence, I trim back the raspberry bushes and clear old pots from the abandoned garden. I never know what to do with this area. Last year it was a half-baked sculpture garden. I was given a sack of wildflower seeds for my birthday — maybe I’ll till the weedy soil and scatter them. The lilies of the valley are sending up their tiny spears and a single red tulip has bloomed, hidden behind a thorny barberry bush.

Around 8:30, a thunderstorm marches in. Not a lot of rain, but noisy and theatrical. Nick and I stand on our porches, barefoot, talking across the driveway. 

Read More
Timothy Monger Timothy Monger

Weeknotes: May 27–31, 2024

Monday, May 27

Riding through Frog Island, I awkwardly balance a mug of coffee in one hand, its contents sloshing against the clear lid. The ratatat of a snare drum echoes across the amphitheater's bowl. At the confluence of pedestrian bridges under Cross St., I turn right, then walk my bike up the hill to meet the band. American Legion Post 282 has a tradition of pausing the Memorial Day Procession -- they are adamant about calling it a procession, not a parade -- in the middle of the bridge and honoring lost mariners by dropping flowers into the river below. I stand next to a group of curious Girl Scouts leaning over the cement barrier and listen to the volunteer band play a shaky hymn. After the selected Legionnaires and Daughters of the Revolution send their bouquets over the edge, the bandleader stands in his Chuck Taylors and blows "Taps" on his bugle. Thirty seconds later the three gun salute startles me and I'm clearly not alone.

Even though the parade is not well advertised, I feel ashamed by the scant turnout. There are more bodies in the procession than there are spectators, making it feel somber, rather than celebratory. I'd planned on bowing out after the bridge ceremony, but given the circumstances I decide to bear witness to the whole thing. My dad is a veteran. Someone has to show up. I ride up River St. ahead of the procession to Highland Cemetery whose stoic iron gates I've run past hundreds of times. I've always meant to explore the grounds, but somehow haven't made the time since I moved here. 

I love cemeteries. They are places of respect where all residents are basically on the same level. The most elaborate mausoleum has no real advantage over the humblest headstone. Everyone's journey is over and their remains are all mixed together among the shady hardwoods, watched over by the same squirrels and birds. I ride down a lane past the groundskeeper's barn and feel a flash of yearning to make that my profession. I'd keep a good cemetery. But, they don't need my help. Highland is a gorgeous and well-maintained place.

After the speeches and ceremony around the Civil War memorial I wander back to my bike leaning against a giant oak. A small banner with Lionel Richie's face on it and a "Hello" caption is planted next to a nearby headstone. Humor reminds the living we are alive. As I'm wheeling towards the exit I see in the distance a young girl in rollerblades careening down one of the blacktop lanes, arms windmilling. She cruises onto the grass and somehow recovers her balance, no harm done. Her father and dog follow unhurried down the hill behind her.

Read More