Weeknotes: May 26–30, 2025
HAIKU EDITION:
Monday, May 26
9:35 AM
High school marching band
Fires up "You're a Grand Old Flag”
I watch from my bike
11:20 AM
Summer tools sorted
The shed's condition is now
Satisfactory
2:30 PM
Just above the dam
Two eagles on the river
Warm sun on my back
A Story About a River
I live just a couple blocks from the Huron River. If you’re a regular reader, you may know something about my fondness for it. I cross it almost every day either on foot or by car or bicycle. I paddle my kayak on it. I like to stand in the middle of the Forest Street bridge and watch the river’s progress through Frog Island Park. I was born on a bluff overlooking the Huron at old St. Joe’s in Ann Arbor, and for most of my life have lived within a few miles of some segment of it. It’s my home river.
Earlier this year I was asked to compose a piece of music for the Huron River Watershed Council, Southeast Michigan’s oldest environmental group. I’ve worked with them before, many years ago, when Great Lakes Myth Society was hired to play at a couple of their fundraisers. They’ve been stewards of the river for over half a century. My friend Donald Harrison was hired to film a short video celebrating HRWC’s 60th anniversary, and he collected hours of gorgeous river footage which was whittled down into this succinct three-minute piece for which I provided the soundtrack. Donald’s wife, Jeanne Hodesh, came onboard to do the voice-over which we recorded in a makeshift vocal booth at my house. It’s a collaboration with people I love, made sweeter by the fact that it promotes a cause very close to my heart. We need the HRWC and groups like them now, more than ever.
Civil Twilight
According to the National Weather Service, civil twilight “begins in the morning, or ends in the evening, when the geometric center of the sun is 6 degrees below the horizon.” I learned this phrase from Denise Wilton’s Walknotes and was immediately smitten by it. When, in early April, it was announced that the final project for my photography class would be a subject of my own choosing, “Civil Twilight” was the immediate frontrunner.
Weeknotes: May 19–24, 2025
Monday, May 19
I reach for the clutch, but it's not there. I'm back in my automatic Hyundai. I had just gotten used to driving a manual transmission again and forgot how much I enjoyed it. I've scheduled a buffer day to recover from my vacation. I'll log in to work tomorrow, but today is for catching up on personal affairs.
I feel the rejuvenation that good travel brings. I'm happier with a more optimistic outlook and a heightened creative fervor I haven't felt all year. I hope I can make it last. When I got home yesterday afternoon my neighbor had mowed my lawn. If you are lucky enough to live next to good people, your life will be infinitely easier. My morning glory seedlings survived, but I missed the rest of the purple irises and most of the lilies of the valley. The giant pink irises are in full bloom, though, and the peonies are getting close.
I drive my brother and his girlfriend to the airport, returning the favor he did for me last week. They're off to Maine for a week of birds, lighthouses, and coastal wandering.
Iceland: The Sweet Sunny North
That title, “The Sweet Sunny North,” refers to a pair of Norwegian folk compilations by David Lindley and Henry Kaiser, though I thought of the phrase often while traveling through Iceland. I arrived in this subarctic country appropriately layered, anticipating the wind, rain, and mercurial weather shifts I’d spent months reading about. After the fifth straight day of sun, it was clear I’d landed during a fluke season. This was confirmed on my last day in Reykjavík by a pair of young Icelanders in a gift shop who proclaimed it their sunniest spring in years.
Weeknotes: May 5 – 9, 2025
Monday, May 5
I'm spending another morning with Pink Floyd, this time working on a review for the Live at Pompeii soundtrack that came out last Friday. I re-familiarize myself with some biographical material and stumble upon their early single "Point Me at the Sky." I'd completely forgotten about this song, a fantastic bit of late-'60s psych-pop with shared vocals between David Gilmour and Roger Waters. I loved it when I was young, though it was a rarity that could only be found on bootlegs. I credit Wazoo Records in Ann Arbor with introducing me to the bootleg scene. They had a special cassette section where, if you knew what you were looking for, you could find strange compilations of unreleased live material, non-album tracks, and other oddities from a multitude of artists.
I still have a David Bowie compilation with a photocopied cover that includes a version of him singing "All the Young Dudes," the song he wrote for Mott the Hoople which, incidentally, was the first song I ever learned how to sing and play on guitar. I'd been playing for a couple years by that point, but didn't yet fashion myself a singer. I was about 12 when my guitar teacher, Mike Lutz, taught me how to play "All the Young Dudes," and it was the most complex chord sequence I'd learned to date. I remember feeling a great sense of satisfaction once I'd managed to separate my unformed voice from my strumming which felt like a creative version of patting your head while rubbing your belly. Before that, I assumed I'd be the guitarist in a band with someone else acting as lead singer, as was the custom in most of the hair metal bands I listened to at the time. Being able to handle both was a revelation to me. I can see now that I've followed that path ever since. I love collaboration, but if I can find a way to take care of something on my own, that's how I will probably do it.
Later on, I take my guitar to the luthier for what I've now accepted to be its regular seasonal adjustment. I've had this Martin 000-15M for two years now and its mahogany body is so much more sensitive to humidity and weather shifts than my old birdseye maple Shenandoah. I played that guitar hard for 30 years and, apart from replacing the bridge about ten years in, barely ever had it worked on. It's as sturdy as they come. The new 000-15M fluctuates all over the place, though when the action is right, it's a joy to play and hear. I hope it settles into itself at some point, just like I did.
Weeknotes: April 28 – May 2, 2025
Monday, April 28
Taking a break from my A-Z listening, I put on Pink Floyd's Dark Side of the Moon, an album so famous I sometimes forget to listen to it. Growing up, Floyd was hands-down my favorite band. My early fandom coincided with their Roger Waters-less revival, and in 1988 my parents took me to see them play at the Palace of Auburn Hills. I was 11 and my neural pathways were wide open for the pomp of a big art-rock stadium show. The lasers, lights, projections, fog machines, flying pigs and airplanes, and most of all the music… I assumed that's what all rock shows would be like from that point forward. Between us, my brother and I collected all of their albums, read articles in guitar magazines, and learned everything we could about Floyd's different eras, from Syd Barrett's woeful decline into mental illness and the deep experimentation of the early-'70s on into the peak commercial period that stretched from Dark Side to the The Wall.
I'm remembering all this because I saw the new 4K cut of Pink Floyd at Pompeii – MCMLXXII on the big IMAX screen yesterday and it blew my mind all over again. When I saw the Becoming Led Zeppelin documentary at this same multiplex in February, I was one of about eight paying customers and expected something similar for Pompeii film. I was a little shocked when the theater filled almost to capacity with rowdy, excited fans for a Sunday matinee. After the slow-zoom opening shot of the band beginning "Echoes" in the empty Roman amphitheatre, it kicked into close-ups of David Gilmour and Rick Wright harmonizing and they became my favorite band all over again.
Today the neighbors are getting a new roof. There's a lot of hubbub on the block. I run five miles and officially kick off the training schedule for my next race which is at the end of summer. I prefer running in the shoulder seasons, but this one fits my schedule and I've never run it before. A new challenge.
Weeknotes: April 21–25, 2025
Monday, April 21
I'm up earlier than usual and tip-toe into the kitchen to make coffee, trying not to wake Islay. If I make too much of a fuss, she will activate into breakfast mode and we'll have to begin our whole morning ritual. I turn the radio on low and learn that Pope Francis has died. I'm not religious and the Catholic church is historically controversial, but I liked this pope. For 13 years he was a voice of empathy and compassion to a large global flock. For him to die during a period of such fractious leadership is a blow to the world. He was an outlier amid his lineage and I'm afraid his successor will be much more conservative. That's how the pendulum is swinging right now. I visited the Vatican in 2018. I stood in St. Peter's Square and toured the Basilica. It's a place of awe and reverence, even for secular people like me.
In Massachusetts, it's Patriot's Day, a holy day for the running community. I’ts the 129th running of the Boston Marathon. I've never attended, nor qualified to run it (yet), but I love to follow the sport's oldest annual race. Like many, I was delighted when Des Linden, an American runner from Michigan, won in 2018. I read her memoir last year and this morning she announced that this would be her final professional marathon.
I keep the race broadcast on in the background while I work. Kenyan John Korir distances himself from the pack early on and it's his to lose. He finishes well ahead of any competitors and 13 years after his brother Wesley Korir, making them the first pair of siblings to wear the laurel wreath. The women's race is more dramatic with Kenyan Sharon Lokedi keeping pace with her teammate, the reigning Boston champion Hellen Obiri, until the final mile. Obiri is known for her kick, but it never comes and Lokedi pulls away, shattering the women's course record at 2:17:22.
Weeknotes: April 14–18, 2025
Monday, April 14
Islay lifts her sweet face and peers over at me from her end of the couch. I lean over to hug her and she gives a few contented snorts before re-composing her limbs into an endearing tangle across her dog bed. I've promised myself I'll take her camping again this summer. It's been six or seven years since she slept in a tent and gave me the worst poison ivy rash I've ever had. We'll have to stay vigilant, but I want to make sure she gets more adventures outside our neighborhood. How many summers does a little dog have?
I ran my six mile route earlier in the day and it inspired a mood of supreme confidence and ambition which I haven't felt in a while. Those rare triumphal runs make all the ordinary everyday runs feel like part of a greater plan you knew you had in you all along. In my head I plotted out my next four marathons, one each month in a different city. I'll train harder for these races than I ever have before, all while going to school, working full-time, and recording a new project. What's more, I'll manage to shave 25 minutes off my PR and finally qualify for Boston. No problem. I carried this ambition back to my doorstep, inhaling the spring's first pollen, certain my strength of conviction would last.
Weeknotes: April 7–11, 2025
Monday, April 7
C-G-D-G-B-D. It's a version of C Wahine, a Hawaiian slack key tuning I'm playing around with this morning. The low C vibrates against the back of my guitar and into my chest like a Pacific frequency. Outside a pale blue sky is flooding the weak clouds in a slow diffuse throb.
During a Zoom meeting we discuss a now-beleaguered company that we used to be a part of and it depresses me. I break for lunch and listen to a podcast dissecting last night's season finale of The White Lotus. In late afternoon I put the Tigers game on the radio. The entire homestand against the Yankees has been rescheduled because of the cold weather. Early April night games are a gamble in the Midwest. Two weeks into the season and the team is playing really well. I'm excited about them. They beat the Yankees 6–2 and who doesn't love to beat the Yankees?
I go for a drive, chasing the evening light and listening to Michael Rother's calm, radiant music. At Mary McCann Preserve, I hop back and forth over muddy lanes to get to the rail line at the back of the property. A dozen or so inert train cars are linked together on the track and have been there since I discovered this park during the pandemic. I'm collecting photos using different lighting strategies for my photography class, trying to find my way around manual mode. Right now I feel uncreative and pressed for time and I wonder how many lame photos of rusting train cars and derelict factories the instructor has to sift through every year from novice students like myself. They must be the G, C, and D chords of photography.
Weeknotes: March 31 – April 4, 2025
A sick week last week. Weeknotes had a fever, but it’s on the mend.
Monday, March 31
Q1 ends with a sigh. The flu in February, then Covid in March, family health scares, and the daily horrors of the news. I'm exhausted. But, tomorrow is a new month. My energy is starting to come back, I've got a gig on Wednesday, and I'll be done with classes in just five weeks. After that, Iceland.
Today it's Scott and Amanda's birthday, siblings born seven years apart on the same day. I've been in different bands with each of them dating back to high school. On the turntable, I’ve got the first of two Loretta Lynn and Conway Twitty duet albums. I pause work in late morning to test drive an outfit for the Iceland trip. By most accounts, I can expect average Icelandic temperatues in the mid-40s (F) which is the weather in Ypsilanti is today. I've got a good rain jacket I'll use as my outer shell and a zip up fleece for a mid-layer. Islay and I walk for about 45 minutes and I feel comfortable in my layers. But as much as I appreciate the tech gear, I'd be so much happier in my tattered canvas coat and jeans. I'll probably bring them too. Obsessing over what to pack for an adventure is it’s own vocation
Weeknotes: March 17–21, 2025
Monday March 17
It's Islay's 11th birthday, today. My dog and both my parents are now firmly in their senior years. Mom calls to tell me they've hired some arborists to fell a few trees in their wooded backyard. Slated for execution is Dr. Pepper, the massive white pine that grew directly outside my boyhood window. I don't remember why I named it Dr. Pepper — I was only four when we moved there — but it's become a beloved landmark and feels like an extension of the house.
When my parents started building in 1981 they spared this tree and cut a hole in the deck around it. As its circumference grew, my dad enlarged the opening until it reached a crossbeam, then he found a way around that problem too. It has been our primary shade tree and its evergreen needles have danced outside my old bedroom window for as long as I can remember. It became a popular destination for flying squirrels.
We all love Dr. Pepper, but he too is now a senior who stands perilously close to the house. My dad is afraid it will fall on the roof, an emergency that would be tough to handle. I understand it's time to say goodbye. My mom's voice caught when she told me the news. The house will look significantly altered next time I visit, but I'm grateful for the warning; I'd hate to be caught off guard.
At the brewpub a folk band is doing their best with some Irish tunes. I'm at the far end of the bar drinking an obligatory St. Patrick's Day beer. To my right is the kitchen service window where a hand periodically delivers plates of fried food onto the stainless steel shelf and rings a bell. My parents text my brother and I photos of Dr. Pepper's dismantling which are a little heartbreaking. They've found an old photo of my dad just after they bought the lot, standing next to the tree with only the foundation of our house behind him. The next image is of him today standing on the deck next to its broad stump. Everything changes. So long, Dr. Pepper.
Weeknotes: March 10–14, 2025
Monday March 10
The day rises bright and clear, an hour later than it's supposed to. Daylight Savings has begun and even though I enjoy the brighter evenings, it makes the mornings feel rushed. I put Grace Jones' Nightclubbing on the turntable and dive into Monday stuff.
CC sends me my horoscope from an app she uses:
Timothy Monger wants to push the limits today. Distract the museum guards while they kiss a painting.
I spend the afternoon with some co-workers volunteering at a local food bank. We sort giant bags of carrots and pack up about 120 boxes of dry goods. It's satisfying labor, but I wouldn't say I pushed my limits. Mostly, I just feel tired and can't figure out why. It's 65° and sunny when I get home. I sit in a camp chair in the yard finishing out my workday. To my left Islay assumes her customary position at the foot of the driveway, already in warm-weather mode.
March is a tricky month. You get warm days like this, but the sun is not itself. It's harsher and more unrelenting, glaring over dead lawns strewn with winter's detritus.
Here are some nice birds I've already seen this week:
Bald Eagle
Pileated Woodpecker
Harlequin Duck
Weeknotes: March 3–7, 2025
Monday March 3
I'm on Spring Break. The last time that happened was 1997, by which time I'd already been a college dropout for a year. I joined a group of friends on a weeklong trip to Hilton Head, South Carolina where we drank impressively and agitated the local retiree populace as only drunken youth can.
This year, my friend Serge invited me on a weekend road trip to Newport, Kentucky to see Robyn Hitchcock at Southgate House Revival. It’s the successor to the late Southgate House, a grand old pile that for decades served as a staple of the indie rock touring circuit until its abrupt closure in 2011. GLMS played a show there sometime in the mid-2000s, though my memories of it are hazy. We opened for an Oregon band called the Stars of Track and Field in the tavern room and played mostly to the staff. We might have caught a couple strays who wandered in for a beer, but neither band had any fans there. Somewhere there's a photo of me in one of my occasional touring moustaches posing next to an oil portrait of some colonial chap who may or may not have been the manor's original inhabitant.
The revival occupies an old church just a few blocks away and carries some of the original’s historic gravitas, even if it feels like a work in progress. But, a santuary seems like a good fit, especially for Hitchcock who was in top form. His set consisted almost entirely of requests, a detail I didn't learn about until I overheard his partner, Emma Swift, asking fans at the merch booth if there was anything they'd like to hear. I can hardly remember the songs I've just practiced, let alone dredge up curios from the distant past; this gig would be my nightmare. In fact, I've probably had this nightmare. But Robyn was game, and as a result I got to hear songs I never thought I'd hear live, foremost among them the timely "Don't Talk To Me About Gene Hackman," a cut so deep it was the second of two unlisted secret tracks buried at the end 1999's Jewels For Sophia. He closed with the Soft Boys gem “Queen of Eyes,” a song I’ve included in my own set many times. As an encore, he unplugged his guitar and paced around the congregation leading a sing-along of the Beatles’ “A Day in the Life.” My kind of sermon.
The next day we drove an hour east to see the great Serpent Mound, a 1,348-feet-long effigy built thousands of years ago, probably by the Adena culture. The gates were closed when we arrived, so we took our chances and trespassed on foot. Relative to this country's size, America has preserved so few of these ancient earthworks. Past a small visitor center and rickety observation tower (closed for repairs) the curving burial mound stretched serenely out of view, bordered by a paved footpath. With no one else around, it seemed especially peaceful and we grokked it with reverence for its prehistoric creators and apologies to its present-day stewards, the Ohio History Connection.
Weeknotes: February 24–28, 2025
Monday February 24
I spend the morning listening to Robyn Hitckcock's Eye. I think it’s one of his solo benchmarks and it prompted in me an early appreciation for the merits of an acoustic album. I'm going to Kentucky to hear him play this weekend. I've seen him four other times, but it's been a while. There are few other artists whose careers I've consistently followed and admired for so long.
When I was 15 my brother took me to see Hitchcock with his erstwhile band the Egyptians in Royal Oak. They were at their brief commercial apex, having just stumbled into a minor hit with "So You Think You're in Love" from Perspex Island, an album that, until recently has remained "out of print" in the streaming world. It's not his best (Queen Elvis is my favorite), but it's the point where my adolescent self arrived in his career. I had just begun to pay attention to album credits and I remember noting the producer's name, Paul Fox; he had produced XTC's Oranges & Lemons two years prior. His name came across my radar again in the mid-'90s, helming Semisonic's first LP.
The Egyptians show we saw was in February 1992 and afterward we waited out in the cold behind the theater to ask Robyn for an autograph, which he graciously, if somewhat obscurely, gave. In black marker he inscribed on my ticket stub a capital R with a circle around it. It's still tucked under the CD tray of my copy of Element of Light.
Today, the sun is shining and the snow is melting in rivulets down both sides of the street. I listen to a grim Icelandic detective novel on my headphones. As we walk, Islay insists on hitting every snowbank, examining the dense neighborhood thaw. In the muddy driveway she stands for minutes on end, head cocked, nose gently twitching. Spring must be intense for a dog; such olfactory abundance.
In the evening CC and I rehearse a new song. Between illness, work, and school, I've been playing less often than I'd like and the act of harmonizing with another person feels especially welcome. I expect us to sound a little rusty, but we've played together for long enough now that it all comes together rather quickly.
Weeknotes: February 17–20, 2025
Monday February 17
Composing for hire remains a novel pursuit for me. I enjoy the challenge, but do it so rarely that I have to fight against my deep-rooted tendencies. I tend to overcomplicate things. Even when I'm writing instrumental music, I'm thinking about the overall structure and pacing of the arrangement, treating it more like a song than the mood-setting backdrop it sometimes needs to be. This piece I'm currently working on should flow unobtrusively behind a voice-over, but I'm struggling to keep it simple.
Repetition with very subtle dynamic shifts is what's called for, but I keep inserting rests, a bridge, and dynamic dips and swells. The first version I submitted had all those things and when I watched the rough cut, I was a little embarrassed; the piece itself is nice, but the extra parts felt obtrusive and showy. I then tried a version with a shorter rest and truncated bridge and it played a little better on the fine cut, but still wasn't right.
This morning I spend a couple hours on an edit that removes all chord changes outside the primary loop, but still has a sort of "bridge" moment about two-thirds of the way through. Why don’t I have it in me to kill that bridge? It’s not a pop song.
Weeknotes: February 10–14, 2025
Weeknotes: January 27–31, 2025
Monday January 27
Over the weekend I shot over 100 photos in multiple locations with the borrowed Canon, but forgot to change the settings to RAW. None will be usable for our first class project. My first lesson learned. This evening the light is similar and I head out at the same hour to try and recreate some of my favorite shots, knowing it's a fool's errand. Of course, yesterday's magic is nowhere to be found, but today's magic gathers around me the longer I look.
Weeknotes: January 20–24, 2025
Monday January 20
When he received the Nobel Peace Prize, Dr. Martin Luther King Jr. said this:
"I believe that unarmed truth and unconditional love will have the final word in reality. This is why right, temporarily defeated, is stronger than evil triumphant.”
Weeknotes: January 13–17, 2025
Monday January 13
My limbs trundle reluctantly up the hill past the south edge of campus, the wind biting my bare face. The first half mile is accomplished by will alone, but it gets better. I gauge my footfalls gingerly over the ice patches and head down the ginnel that connects College Place with Pearl. By the time I cross onto Spring Street, my body feels relaxed and lithe. At Waterworks Park a woman stands over the hood of her blue minivan arranging loaves of supermarket bread to feed to the assemblage of ducks and geese closing in around her.
I think of my mom, a lifetime nurturer of urban waterfowl populations. I picture her tiny figure holding up a bag of hamburger buns to feed the squawking gulls. For a brief time she and I kept up a Christmas Eve tradition of emptying a large bag of cracked corn on the grass by the Brighton Mill Pond, a gift to the cold feathered peasantry. Even now when I go to visit my parents, she is constantly managing a half dozen feeding stations. Just yesterday I caught her scattering seed on the front porch for her favorite possum and then on a metal table out behind the kitchen for her resident doves. She loves her doves. My parents have always had big hearts for wild things.